Paul Krainak’s new paintings plot fragments of industrial design, typography, and textile patterns in constructivist spaces. The images are post-vernacular, recognizing craft, outsider art, and regional architecture as aesthetically foundational.
Krainak is a painter and art writer who retired from Bradley University in 2020. He was Department Chair for ten years and the Founder and Director of the Inland Visual Studies Center for six. The Center was a collaborative project with the Sam Fox School of Art & Design at Washington University, St. Louis and the Department of Art at The Ohio State University in Columbus. He was awarded Professor Emeritus at Bradley in 2020.
Krainak has exhibited widely throughout the U.S. and internationally and lectured in numerous venues in the U.S., China, and Eastern Europe. He’s exhibited at Fassbender Gallery, N.A.M.E. Gallery, and the Hyde Park Art Center, in Chicago. He’s also shown at The Umbrella Factory, Nijmegen, Holland, Fay Gold Gallery, Atlanta, GA, and Semaphore, New York, NY. He is a former Associate Editor and Corresponding Editor of the New Art Examiner and ARTpapers. He’s contributed essays on contemporary art to numerous journals, exhibition catalogues and academic presses. These include the Kemper Museum of Art in St. Louis, The Miller Gallery at Carnegie Mellon University, Sculpture Magazine, Afterimage, and Indiana University Press.