{"id":4323,"date":"2022-11-15T12:05:48","date_gmt":"2022-11-15T18:05:48","guid":{"rendered":"https:\/\/art.bradley.edu\/bug\/?page_id=4323"},"modified":"2025-02-18T12:46:29","modified_gmt":"2025-02-18T18:46:29","slug":"38th-bradley-international-selected-artists","status":"publish","type":"page","link":"https:\/\/art.bradley.edu\/bug\/38th-bradley-international\/38th-bradley-international-selected-artists\/","title":{"rendered":"39th BradIey International &#8211; Participating Artists"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\" id=\"block-583fdcc3-6380-44c9-93bb-cad34a5481d6\"><strong>Heuser Art Center<\/strong><\/h2>\n\n\n\n<ul id=\"block-b1407c88-623a-42f3-a7a1-6bb59d55cdd5\" class=\"wp-block-list\">\n<li><strong>Katrina Morrison \u2013 Bishop Hill, IL<\/strong><em>, Mother Earth, <\/em>Mulberry paper and relief ink, 2022<\/li>\n\n\n\n<li><strong>Thomas Norulak<\/strong><strong>&#8211; Pittsburgh, PA<\/strong><em>Wright Square\u2014Savannah<\/em>, Woodcut on Mulberry paper, 2024<\/li>\n\n\n\n<li><strong>Ruben Castillo<\/strong> &#8211; <strong>Troy, NY, <\/strong><em>Pieces<\/em>, Color Woodblock on paper, 2024<\/li>\n\n\n\n<li><strong>Endi Poskovic<\/strong> &#8211; <strong>Anne Arbor, MI, <\/strong><em>The Listener<\/em>, Color woodcut printed from 15 plates in 11 colors on Haini kozowashi, 2023<\/li>\n\n\n\n<li><strong>Christine B. Miller<\/strong> &#8211; <strong>Whitewater, WI<\/strong>, <strong>#1. <\/strong><em>Mags \u2018Tree of Life\u2019<\/em>, Colored pencil on Strathmore museum board, 2023; <strong>#2.<\/strong><em>Her Words Matter: Green Tea Leaves Read. No. 1<\/em>. Pigment ink marker, graphite, colored pencil, relief-collage, 2023<\/li>\n\n\n\n<li><strong>Harley Simmons<\/strong> &#8211; Dekalb, IL, &#8220;<em>2 Kodokushi<\/em>,&#8221; Drawn plate lithography on BFK rives, 2023<\/li>\n\n\n\n<li><strong>Ana Vivoda \u2013 Zagreb, Croatia<\/strong>, <em>Fragments of Morning 2<\/em>, Awagami paper, 2022<\/li>\n\n\n\n<li><strong>Dadisi Curtis \u2013 Iowa City, IA<\/strong>, <em>Those Who Flee Size<\/em>, Silkscreen on muslin, 2023<\/li>\n\n\n\n<li><strong>Saul Acevedo Gomez &#8211; Denver, CO<\/strong>, <strong>#1.<\/strong><em>Death Before Death<\/em>, Colored pencils, ink, &amp; pencil on paper, 2024; <strong>#2.<\/strong><em>Recreating My Fundamental Structure<\/em>, Colored pencils, thread, collage, and pencil on paper, 2024<\/li>\n\n\n\n<li><strong>Donald Furst \u2013 Wilmington, NC<\/strong>, <em>New World Order: Dark Angel<\/em>, Linoleum cut, 2022<\/li>\n\n\n\n<li><strong>Michael Gilbert \u2013 Peoria, IL<\/strong>, <em>No. 1A (2023)<\/em>, Watercolor and Gouache on Yupo, 2019-2023<\/li>\n\n\n\n<li><strong>Erik Waterkotte \u2013 Scarlette, NC<\/strong>, <strong>#1. <\/strong><em>Crucifix Tree<\/em>, Pigments prints on rayon layered, collage, and hotfoil, 2023; <strong>#2.<\/strong> Laser cut Morgan translucent flax paper over laser engraved Morgan translucent flax paper, 2023<\/li>\n\n\n\n<li><strong>Jayne Jackson \u2013 Madison, WI<\/strong>, <em>Offerings<\/em>, Mezzotint, 2023<\/li>\n\n\n\n<li><strong>Antonio Cardoso \u2013 S\u00e3o Paulo, Brazil<\/strong>, <em>Carnaval<\/em>, Etching, 2017<\/li>\n\n\n\n<li><strong>Meredith Setser \u2013 Indianapolis, IN<\/strong>, <em>Entangled Ores<\/em>, Lithography and embossing, 2023<\/li>\n\n\n\n<li><strong>Heidi Jensen \u2013 Cranston, RI<\/strong>, <em>Afterlife<\/em>, Gouache and charcoal on canvas, unstretched, 2023<\/li>\n\n\n\n<li><strong>Hattie Lee Mendoza \u2013 Peoria, IL<\/strong>, <em>Sonsy<\/em>, Ink on toned paper, 2023<\/li>\n\n\n\n<li><strong>Nomi Silverman \u2013 Glenville, CT<\/strong>, <em>I Had a Home Once, Syria: I Live in Berlin<\/em>, Lithography, woodcut, silkscreen, offset printing, with text overlays, 2022<\/li>\n\n\n\n<li><strong>Meagan Stirling \u2013 Santa Barbara, CA<\/strong>, <em>Dinosaur Skirt<\/em>, Screenprint, 2022<\/li>\n\n\n\n<li><strong>Rachel Cole \u2013 Brooklyn, NY<\/strong>, <em>Questions for a Dinosaur Family Photos. Breakfast #2<\/em>, Fine art digital photography, 2024<\/li>\n\n\n\n<li><strong>Colleen Pike Blair \u2013 New York, NY<\/strong>, <em>Broken Clouds<\/em>, Stone lithograph on Hahnemuhle, 2024<\/li>\n\n\n\n<li><strong>Michelle Martin \u2013 Tulsa, OK<\/strong>, <em>Conserved<\/em>, Photopolymer etching, 2020\/2021<\/li>\n\n\n\n<li><strong>Nathan Pietrykowski \u2013 Cleveland, MS<\/strong>, <em>Neighborhood Garden<\/em>, Laser print on hand cut and folded paper with laser cut paper and various collected seeds, 2021<\/li>\n\n\n\n<li><strong>David Avery \u2013 San Francisco, CA<\/strong>, <em>Becalmed<\/em>, Charbonnel black etching ink on Zerkall laid cover cream paper, 2023<\/li>\n\n\n\n<li><strong>Bryce Dailey- Madison, WI<\/strong>, <em>Father<\/em>, Oil paint monotype on paper, 2024<\/li>\n\n\n\n<li><strong>Isabella Gray &#8211; Washington, IL<\/strong>, <em>A1<\/em>, CMYK Process Monotype, 2024<\/li>\n\n\n\n<li><strong>Katherine Desy \u2013 Attleboro, MA<\/strong>, <em>Owl<\/em>, Pen and Ink, 2024<\/li>\n\n\n\n<li><strong>Joseph Lupo \u2013 Morgantown, WV<\/strong>, <em>This doesn\u2019t make any sense\u2026 CAN THIS BE TRUE???<\/em>, Screenprint, 2024<\/li>\n\n\n\n<li><strong>Mark Rospenda \u2013 South Bend, IN<\/strong>, <strong>#1.<\/strong><em>Worry Stone<\/em>, Paper pulp (recycled failed drawings and other papers), 2023; <strong>#2.<\/strong><em>Conspiracy Theory<\/em>, Paper pulp (recycled failed drawings and other papers), 2024<br \/><\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"block-267708f7-b818-4ab0-bc71-242a52799497\"><strong>Hartmann Center Gallery<\/strong><\/h2>\n\n\n\n<ul id=\"block-0fe6f41d-6b77-4a47-9347-e34994ceaa90\" class=\"wp-block-list\">\n<li><strong>Emily Legleitner \u2013 Flint, MI<\/strong>, <strong>#1.<\/strong><em>You saw yourself, then you saw yourself with shadows<\/em>, Wood cut on Kozo, 2022; <strong>#2.<\/strong><em>I know there\u2019s something I\u2019ve forgotten<\/em>, Wood cut on Kozo, 2022<\/li>\n\n\n\n<li><strong>Mia O \u2013 Tokyo, Japan<\/strong>, <em>The Glorious Line<\/em>, Japanese handmade paper (Washi)<br \/>2024<\/li>\n\n\n\n<li><strong>Connie Wolfe \u2013 Chicago, IL<\/strong>, <em>Wake (1)<\/em>, Screenprint, 2024<\/li>\n\n\n\n<li><strong>John Cizmar \u2013 Chicogo, IL<\/strong>, <em>Idiopathic Lens<\/em>, Etching on 300GSM Paper<br \/>2024<\/li>\n\n\n\n<li><strong>Jeanne Garrett \u2013 Arlington Heights, IL<\/strong>, <em>Ashes<\/em>, Archival Pigment Print on Rice Paper with Stitching, 2022<\/li>\n\n\n\n<li><strong>Antonio Cardoso &#8211; S\u00e3o Paulo, Brazil<\/strong>, <em>4<sup>th<\/sup> of July<\/em>, Etching, 2017<\/li>\n\n\n\n<li><strong>Kyle Chaput \u2013 Hewitt, TX<\/strong>, <em>La Frontera Site II<\/em>, Lithograph, 2022<\/li>\n\n\n\n<li><strong>Katie Simmons \u2013 Loveland, CO<\/strong>, <em>Corallina Vancouvereinsis<\/em>, Ballpoint pen, natural dye made from graceful coral seaweed, watercolor paper, 2024<\/li>\n\n\n\n<li><strong>Beth Sheehan \u2013 Tuscaloosa, AL<\/strong>, <em>In the Moments<\/em>, Lithography, 2023<\/li>\n\n\n\n<li><strong>Michael Morgan \u2013 Atlantic, GA<\/strong><em>, The Kiss<\/em>, Colored pencil and ink pen on paper, 2024<\/li>\n\n\n\n<li><strong>Isabella Aycock \u2013 Salt Lake City, UT<\/strong>, <em>I was Batman 3 years in a row for Halloween<\/em>, Crayola Colored Pencils, 2024<\/li>\n\n\n\n<li><strong>Alex Gaytan \u2013 Le Paso, TX<\/strong>, <em>In Heaven, Everything is Fine (Pt. 1)<\/em>, Screenprint, 2021<\/li>\n\n\n\n<li><strong>Michael Covello &amp; Elizabeth Schneider \u2013 Virginville, PA<\/strong>, <em>Sinkholes of a Faultless Void #10<\/em>, Charcoal on paper, 2024<\/li>\n\n\n\n<li><strong>Christopher Troutman &#8211; Urbana, IL, <\/strong><em>Steam from Beppu City<\/em>, Charcoal and acrylic paint on paper, 2023<\/li>\n\n\n\n<li><strong>Catherine Rozmarynowycz \u2013 Cleveland, OH<\/strong>, <em>The Watchman<\/em>. Etching and Aquatint, 2019<\/li>\n\n\n\n<li><strong>Joseph Holsapple \u2013 Thibodaux, LA<\/strong>, <em>Still Life with Skull and Owl<\/em>, Mixed media on Paper (Pastel, gouache, graphite, crayon)<\/li>\n\n\n\n<li><strong>Roxanne Sexauer \u2013 Lakewood, CA<\/strong>, <em>Carnival Ostinato<\/em>, Monoserigraph, Relief Print, Chine Colle\u2019, 2022<\/li>\n\n\n\n<li><strong>Kamrun Naher Mim \u2013 Bowling Green, OH<\/strong>, <em>Entangled<\/em>, Lithography, 2024<\/li>\n\n\n\n<li><strong>Chloe Hanken \u2013 Albuquerque, NM<\/strong><em>, MANEATER<\/em>, Lithography, 2023<\/li>\n\n\n\n<li><strong>Lisa Madden \u2013 Mokena, IL<\/strong>, <em>Tight-knit warp weft<\/em>, Graphite pencil, oil pastel, on Yupo paper, 2024<\/li>\n\n\n\n<li><strong>Morgan Price \u2013 Bloomington, IL<\/strong><em>, Not really what either of us signed up for<\/em>, Color Woodcut, 2023<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"block-5df15738-a832-43bb-9bbf-d60d48af89d8\"><strong>Peoria Riverfront Museum<\/strong><\/h2>\n\n\n\n<ul id=\"block-4012124b-7cea-4ef9-801b-99f5aa0bb005\" class=\"wp-block-list\">\n<li><strong>David Newman \u2013 Farmers Branch, TX,&nbsp;<\/strong><em>Immanent Critique<\/em>, Lithograph, 2019<\/li>\n\n\n\n<li><strong>Christine Miller \u2013 Whitewater, WI<\/strong><em>, Mermaid Hosts St. Ag\u2019s \u2018Loaves &amp; Fishes\u2019 Social<\/em>, Colored pencil, pigment ink marker, collage,&nbsp;relief-collage, assemblage, 2024<\/li>\n\n\n\n<li><strong>Judith Joseph \u2013 Northbrook, IL<\/strong>, <em>Soul Accounting<\/em>, Woodblock print on paper, 2018<\/li>\n\n\n\n<li><strong>Scott Reeds \u2013 Brooklyn, NY<\/strong>, <em>Swing State<\/em>, Intaglio, 2024<\/li>\n\n\n\n<li><strong>John Schulz \u2013 Saint Paul, MN<\/strong>, <em>The Redhead &#8211; and Formula X<\/em>, Color woodcut, 2024<\/li>\n\n\n\n<li><strong>Jason Stout &#8211; Martin, TN<\/strong>, <em>American Movie Premier<\/em>, Charcoal on paper, 2018<\/li>\n\n\n\n<li><strong>SJ Boyd &#8211; East Peoria, IL<\/strong>, <em>Go Ahead. Have Your Damn Cake.<\/em>, Graphite pencil on vellum Bristol, 2024<\/li>\n\n\n\n<li><strong>Russ Revock \u2013 Cleveland, OH<\/strong>, <em>Screen Test at &#8211; the Rat Factory<\/em>, Linocut, 2024<\/li>\n\n\n\n<li><strong>Kerry McAleer-Keeler \u2013 Fredericksburg, VA<\/strong>, <em>Under the Surface of Things<\/em>, 4-Color serigraph, 2023<\/li>\n\n\n\n<li><strong>Kaleena Stasiak \u2013 Valdosta, GA<\/strong>, <em>Heirloom Small IV<\/em>, Stencil monoprint, 2022<\/li>\n\n\n\n<li><strong>William Harroff \u2013 Edwardsville, IL<\/strong>, <em>American Glory #2<\/em>, Digital print on paper, 2024<\/li>\n\n\n\n<li><strong>Micah Zavacky \u2013 Dayton, OH<\/strong>, <em>Butterfly Whip<\/em>, Graphite, 2024<\/li>\n\n\n\n<li><strong>Nathan Meltz \u2013 Troy, NY<\/strong>, <em>Golem\u2019s Hand<\/em>, Screenprint, 2024<\/li>\n\n\n\n<li><strong>Anna Demovidova &#8211; Vienna, VA<\/strong>, <em>The Quiet Within<\/em>, Reduction relief print, ink, watercolor, and&nbsp;, collage on paper, 2024<\/li>\n\n\n\n<li><strong>Emily Stokes \u2013 Omaha, NE<\/strong>, <em>Rabbit 3<\/em>, Monotype, 2024<\/li>\n\n\n\n<li><strong>Angela Risinger \u2013 Peoria, IL<\/strong>, <em>Murmuration<\/em>, Linocut, ink on paper, 2023<\/li>\n\n\n\n<li><strong>Anne Mills McCauley &#8211; Marshall, MI<\/strong>, <em>Support<\/em>, Charcoal and watercolor on paper, 2023<\/li>\n\n\n\n<li><strong>Leslie Volle \u2013 New York, NY<\/strong>, <strong>#1.<\/strong><em>Falling Support<\/em>, Monoprint on paper, 2022; <strong>#2.<\/strong><em>Rising Support, <\/em>Monoprint on paper, 2022<\/li>\n\n\n\n<li><strong>Susan Kitsoulis \u2013 Washington, DC<\/strong>, <em>Athenian Frieze<\/em>, Etching and drypoint on Rives BFK paper, 2021<\/li>\n\n\n\n<li><strong>Anthony Pessler \u2013 Phoeniz, AZ<\/strong>, <em>Frontera #2<\/em>, Graphite and acrylic on drafting film, 2022<\/li>\n\n\n\n<li><strong>Anne Beidler \u2013 Palmetto, GA<\/strong>, <em>Night<\/em>, Woodcut print, 2024<\/li>\n\n\n\n<li><strong>Wesley Kramer \u2013 Belvidere, IL<\/strong>, <em>Grand Voyage<\/em>, Woodcut, etching and screenprint, 2021<\/li>\n\n\n\n<li><strong>Sophie Isaak \u2013 Lincoln, NE<\/strong>, <strong>#1.<\/strong><em>Wealthy dowager<\/em>, Intaglio, ink, 2022; <strong>#2.<\/strong><em>Life goes by so fast, what\u2019s the point?<\/em>, Intaglio, acrylic, 2023<\/li>\n\n\n\n<li><strong>Nabil Gonz\u00e1lez \u2013 El Paso, TX<\/strong>, <em>This is who I am; Mi Familia<\/em>, Altotype, gelatin with powder pigment on Arches paper, 2024<\/li>\n\n\n\n<li><strong>Amanda Kralovic &#8211; Halfmoon, NY<\/strong>, <em>Radiating Through<\/em>, Relief carving<\/li>\n\n\n\n<li><strong>Justin Diggle<\/strong> &#8211; <strong>Salt Lake City, UT<\/strong>, <em>Winged Surveillance<\/em>, Etching and photo etching, 2024<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"block-482e3392-3c8d-4aad-b349-c6016002765e\"><strong>Peoria Art Guild<\/strong><\/h2>\n\n\n\n<ul id=\"block-72569495-b506-4b6e-af66-af56c6e73a3b\" class=\"wp-block-list\">\n<li><strong>Paul Breuer &#8211; Webster Groves, MO<\/strong>, <em>Bunch of Busted Eggs<\/em>, Quilt composed of prints pulled from solar plates, 2022<\/li>\n\n\n\n<li><strong>Matt Ballou &#8211; Columbia, MO<\/strong>, <em>Block Stack<\/em>, Inks, acrylic, and colored pencil on paper, 2024<\/li>\n\n\n\n<li><strong>John Heintzman &#8211; Peoria, IL<\/strong>, <em>Still Black Sketches (installation)<\/em>, Colored photostatic paper, glue (Adjustable per site), 2024<\/li>\n\n\n\n<li><strong>Kristin Lindseth &#8211; San Jose, CA<\/strong>, <em>Ronda<\/em>, Intaglio print on Arches Cover, 2021<\/li>\n\n\n\n<li><strong>Sarah Kinard &#8211; Rochester, NY<\/strong>, <em>7282<\/em>, Relief on paper, 2025<\/li>\n\n\n\n<li><strong>Robert Gomez &#8211; Chicago, IL<\/strong>, <strong>#1.<\/strong><em>All Consuming<\/em>, Wood engraving in maple, printed on Kitakata paper, 2024; <strong>#2.<\/strong><em>The Source<\/em>, Wood engraving in maple, printed on Kitakata paper, 2024; <strong>#3.<\/strong><em>Wonderful and Frightening World<\/em><\/li>\n\n\n\n<li>Wood engraving in resingrave, printed on Kitakata, 2023<\/li>\n\n\n\n<li><strong>Cathie Crawford &#8211; Peoria, IL<\/strong>, <strong>#1.<\/strong><em>Apricity<\/em>, Reduction woodcut, oil-based ink on Japanese paper, 2024; <strong>#2.<\/strong><em>Climate Climax<\/em>, Reduction woodcut, oil-based relief ink on Natsume 4007 paper, 2022<\/li>\n\n\n\n<li><strong>Chloe Hanken &#8211; Albuquerque, NM<\/strong>, <strong>#1.<\/strong><em>Gift Horse<\/em>, Lithograph, 2024; <strong>#2.<\/strong><em>Been Through the Desert<\/em>, Lithograph, 2023<\/li>\n\n\n\n<li><strong>M. Robyn Wall &#8211; Cleveland, MS<\/strong>, <strong>#1.<\/strong><em>Floating Through<\/em>, 12 frame silkscreen, animation, 2022; <strong>#2.<\/strong><em>Don<\/em>\u2019<em>t take anything with you<\/em>, Handmade Banana\/Cotton Paper, Intaglio, Relief, 2018<\/li>\n\n\n\n<li><strong>Dusty Herbig &#8211; Syracuse, NY<\/strong>, <em>5135 Swipe<\/em>, Stone lithograph, hand drawing, 2023<\/li>\n\n\n\n<li><strong>Sarah Smelser &#8211; Bloomington, IL<\/strong>, <em>Brings Back the Time XIV<\/em>, Monotype, 2024<\/li>\n\n\n\n<li><strong>Linda Marcus &#8211; Milwaukee, WI<\/strong>, \u2018<em>Walking the gaze<\/em>\u2019 <em>3<\/em>, Mono print on Mullberry paper on 2\u2019 wood board, 2024<\/li>\n\n\n\n<li><strong>Shane Rodems &#8211; Champaign, IL<\/strong>, <em>Finger Finger Finger in a room room bloom<\/em>, Charcoal on canvas, 2024<\/li>\n\n\n\n<li><strong>Marilyn Propp &#8211; Kenosha, WI<\/strong>, <em>The Sixth Extinction<\/em>, Relief print, collage on handmade cotton paper w\/pulp painting, 2022<\/li>\n\n\n\n<li><strong>Madison Jackson &#8211; Effort, PA<\/strong>, <em>unwritten<\/em>, Linocut on Lama Li Lokta Paper with collaged paper, 2024<\/li>\n\n\n\n<li><strong>Saul Acevedo Gomez &#8211; Denver, CO<\/strong><\/li>\n\n\n\n<li><em>Coyolxauhqui Reflexionando en El Cenote<\/em><em>(Coyolxauhqui Reflecting in the Cenote)<\/em>, Colored pencil, thread, pencil, ink, watercolored pencil, collage, and oil on paper and canvas, 2024<\/li>\n\n\n\n<li><strong>Amy Chiappetta &#8211; Normal, IL<\/strong>, <em>Actually!<\/em>, Lithograph on Somerset paper, 2024<\/li>\n\n\n\n<li><strong>Erin DiGiovanni &#8211; Tuscon, AZ<\/strong>, <em>Sink Somewhere<\/em>, Screenprint with hand-built stencils, 2020<\/li>\n\n\n\n<li><strong>Anita Maksimiuk &#8211; Tuscon, AZ<\/strong>, <em>Collage in Saguaro Blue<\/em>, Stone lithograph &amp; Screenprint on BFK Rives, 2024<\/li>\n\n\n\n<li><strong>Tom Burtonwood &#8211; Oak Park, IL<\/strong>, <em>A Cube is a Rectangle (205)<\/em>, Ink on Bristol vellum, 2024<\/li>\n\n\n\n<li><strong>Peter Baczek &#8211; Oakland, CA<\/strong>, <em>Composition in Gray<\/em>, Etching on paper, 2024<\/li>\n\n\n\n<li><strong>Keegan Adams &#8211; Bloomington, IN<\/strong>, <em>Dogs, Diabetes, and the Day to Day<\/em>, Mixed print (Book), 2023<\/li>\n\n\n\n<li><strong>Boryana Rusenova Ina &#8211; Lubbock, TX<\/strong>, <em>Some People Don<\/em>\u2019<em>t Exist in This Language<\/em>, Black gesso on drafting film, shapes made from my son\u2019s clipping, silk chiffon, paper, markers, 2024<\/li>\n\n\n\n<li><strong>Victoria Goro Rapoport &#8211; Kearney, NE<\/strong>, <em>Burden of Noah 2<\/em>, Etching, engraving, 2022<\/li>\n\n\n\n<li><strong>Morgan Price \u2013 Bloomington, IL<\/strong>, <em>MERCURIAL TO SAY THE LEAST<\/em>, Lithograph, 2023<\/li>\n\n\n\n<li><strong>Nathan Pietrykowski \u2013 Cleveland, MS<\/strong>, <em>Connected Together<\/em>, Screen, laserprint, laser cut stickers, dot matrix paper, 2024<\/li>\n<\/ul>\n\n\n\n<p class=\"has-cyan-bluish-gray-color has-text-color has-link-color wp-elements-7dda1ccf889a53c32c9636821e1b0856\"><strong>38th BradIey International &#8211; Selected Artists<\/strong><\/p>\n\n\n\n<p><em>First, Second, and Third Place Prizes as well as one Honorable Mention will be selected by Juror Tyanna Buie <\/em><em>and announced on Friday, February 3 at 5:45pm in the Heuser Gallery<\/em>.<\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong><span style=\"text-decoration: underline\">Heuser Gallery<\/span><\/strong><br \/>Paul Breuer<br \/>Alex Carmona<br \/>Dadisi Curtis Jr<br \/>Scott Espeseth<br \/>David Hicks<br \/><strong>Yuji Hiratsuka &#8211; 2nd Place Winner!<br \/>(<em>Melancholic Feast, <\/em>Heuser Gallery)<\/strong><br \/>John Mckaig<br \/>Jack Nixon<br \/>Mayuko Ono Gray<br \/><strong>Endi Poskovic &#8211; 1st Place Winner!<br \/>(<em>Primavera: Hagar and the Angels in the Wilderness, <\/em>Heuser Gallery)<\/strong><br \/>James Rose<\/p>\n\n\n\n<p><strong><span style=\"text-decoration: underline\">Peoria Riverfront Museum<\/span><\/strong><br \/>Peter Baczek<br \/>Janet Ballweg<br \/>Victoria Bein<br \/><strong>Heather Brammeier &#8211; 3rd  Place Winner!<\/strong><br \/><strong>(<em>The Grant and the Courtauld<\/em>, Peoria Riverfront Museum)<\/strong><br \/><strong>Michael Bruner &#8211; Honorable Mention!<\/strong><br \/>(<em><strong>M<\/strong><\/em><strong><em>ike do this, Mike do that, Mike don&#8217;t do that ,<\/em>The Peoria Riverfront Museum)<\/strong><br \/>Francine Gintoff<br \/>Victoria Goro-Rapoport<br \/>David Hicks<br \/>Andy Holliday and Lijun Chao<br \/>Marcus Howell<br \/>Fuko Ito<br \/>Anna Kenar<br \/>Mar Korol<br \/>Mikala Kozuszek<br \/>Thomas Norulak<br \/>Russ Revock<br \/>Catherine Rozmarynowycz<br \/>Andrew Rubin<br \/>Nic Tisdale<br \/>Clark Valentine<br \/>Nathan Vernau<br \/>Linda Whitney<br \/>Cleo Wilkinson<br \/>Brandon Williams<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong><span style=\"text-decoration: underline\">Hartmann Gallery<\/span><\/strong><br \/>Miguel Aragon<br \/>Andrew Au<br \/>David Avery<br \/>Jared Barbick<br \/>Alex Carmona<br \/>Andrew Decaen<br \/>Heidi Hogden<br \/>Joseph Lupo<br \/>Emmett Merrill<br \/>Christine B. Miller<br \/>Michael Morgan<br \/>Joseph Riggi<br \/>Nomi Silverman<br \/>Aries Tjhin<br \/>Joshua Unikel<\/p>\n\n\n\n<p><strong><span style=\"text-decoration: underline\">Peoria Art Guild<\/span><\/strong><br \/>Jaz Bartlett<br \/>Deniz Bayav<br \/>Anne Beidler<br \/>Sarah Bryant<br \/>John Cizmar<br \/>Jacob Crook<br \/>Zo\u00eb Couvillion<br \/>Cathie Crawford<br \/>Mitch Eckert<br \/>Jacob Gibson<br \/>David Gregory<br \/>Jim Haller<br \/>Ryan Horvath<br \/>Amanda Lilleston<br \/>Colin Lyons<br \/>Ann James Massey<br \/>Sara Meredith<br \/>Marceline Saphian<br \/>Amy Schissel<br \/>Stacey Steinberg<br \/>Joshua Wilichowski<br \/>Alison Willse<\/p>\n<\/div>\n<\/div>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Heuser Art Center Hartmann Center Gallery Peoria Riverfront Museum Peoria Art Guild 38th BradIey International &#8211; Selected Artists First, Second, and Third Place Prizes as well as one Honorable Mention will be selected by Juror Tyanna Buie and announced on Friday, February 3 at 5:45pm in the Heuser Gallery. Heuser GalleryPaul BreuerAlex CarmonaDadisi Curtis JrScott &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/art.bradley.edu\/bug\/38th-bradley-international\/38th-bradley-international-selected-artists\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;39th BradIey International &#8211; Participating Artists&#8221;<\/span><\/a><\/p>\n","protected":false},"author":339,"featured_media":0,"parent":4311,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-4323","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/art.bradley.edu\/bug\/wp-json\/wp\/v2\/pages\/4323","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/art.bradley.edu\/bug\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/art.bradley.edu\/bug\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/art.bradley.edu\/bug\/wp-json\/wp\/v2\/users\/339"}],"replies":[{"embeddable":true,"href":"https:\/\/art.bradley.edu\/bug\/wp-json\/wp\/v2\/comments?post=4323"}],"version-history":[{"count":19,"href":"https:\/\/art.bradley.edu\/bug\/wp-json\/wp\/v2\/pages\/4323\/revisions"}],"predecessor-version":[{"id":4960,"href":"https:\/\/art.bradley.edu\/bug\/wp-json\/wp\/v2\/pages\/4323\/revisions\/4960"}],"up":[{"embeddable":true,"href":"https:\/\/art.bradley.edu\/bug\/wp-json\/wp\/v2\/pages\/4311"}],"wp:attachment":[{"href":"https:\/\/art.bradley.edu\/bug\/wp-json\/wp\/v2\/media?parent=4323"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}