Simple challenge – take your existing resume/CV, and wherever possible turn all written content into predominantly visual information graphics. Add extra data where necessary to arrive at an accurate, clear to understand piece…. however, I always enjoy including an additional element of creativity to a brief. In this case, make it a paper engineered, tactile experience as well!
Great fun, and a huge challenge to visualize this one. Basically eight mini posters in one!
The ten-minute play has become a rite of passage for young playwrights, and this curated evening offers eight of the best from some of America’s most ingenious masters of the form. Performed and produced by an ensemble of Bradley’s newest theater students, these entertaining, short pieces offer whimsy, suspense, insight, and surprising depth.
Always a great introduction to Information Design and the translation of qualitative and quantitative data into a visual representation. The journey could have been a physical one, or a more abstract one – such as a shift at work.
Just like London buses – you wait for ages and then they all come at once. In this case we were spoiled by the visit of two amazing Visual Voices guest talks on consecutive weeks. First up was the amazing individual, my good friend – Justin Ahrens owner of Rule29. While he could have spoken at length about the wonderful creative work his company produce on a regular basis – the focus of his talk was about how ‘Design Matters’ and the impact and power of good that each and every one of us is capable of bringing, not just at a local level, but potentially at a global level too.
Second up, and equally talented where the ‘Scoundrels’ from Half Hazard Press, based just down the road in Bloomington IL. Their story of how they got to where they are now, and the range of clients they work with kept the audience enthralled – especially at the end, when they offered up HH t-shirts for the best questions (yes, I got one!)
Thank you Justin, Chris and Joel. Inspiring Visual Voices guests.
The story is an adventure on the high seas and on the faraway Mollusk Island. An orphan boy named Peter and his mysterious new friend, Molly, overcome bands of pirates and thieves in their quest to keep a magical secret safe and save the world from evil. Villains include the scary but somehow familiar pirate captain “Black Stache” and the ferocious crocodile Mister Grin.
Molly and Peter take a voyage with Alf, James, Thomas, Prentiss, Tubby Ted, Slank and Little Richard from a filthy, crime-ridden port in Old England across the turbulent sea. Aboard the Never Land is a trunk that holds the “greatest treasure on earth,” thought by its pursuers to be gold or jewels but revealed to be “starstuff,” an alien chemical element (delivered to Earth by meteor strikes) that can either give people and animals magic powers, or kill them, depending on the dosage and other factors. The trunk is moved from place to place through storms and sea battles: once in a dry, guarded cabin, next in a ship full of greedy pirates, and then out in the open sea.
While on the ship, both Peter and Molly become close as they take on Slank and many other villains, including pirates. While they try to keep the starstuff out of the wrong hands, the Never Land shipwrecks and Molly saves Peter from death, and they fly for an unknown island.
When the shipwreck led them to a mysterious island, known as Mollusk Island, Molly is kidnapped by Slank and Peter saves her from him, along with the help of James, Thomas, Prentiss, and Tubby Ted who all go by the gang name, The Lost Boys. Peter also does battle against Black Stache and cuts off his hand with a sword; the amputee pirate will adopt the moniker “Captain Hook“. The book ends with Molly and Peter saying goodbye to each other and with Peter promising to visit her in England. Molly and her father, Lord Leonard Aster, return to the real world, while Peter and the Lost Boys remain on Mollusk Island, which they rename “Neverland,” the name of the ship that was shipwrecked. (However, the sequels still call the island Mollusk Island more often than Neverland.)
To launch the BU Department of Theatre’s exciting upcoming season of productions required a dynamic image. I think we found it with this great photograph taken from ‘Sense and Sensibility’!
Great team project. Six student teams pitching against each other for their final assignment of the semester. Thank you to Chris and Maggie at Simantel, and especially Doug and Eileen for your vision for the BIG PICTURE initiative.
MARKETING GOALS
The focus of the project at hand is to promote The Big Picture Art Festival. This festival’s success is dependent on getting people to attend and participate in the festival as it is intended to be an interactive experience. It is very important to our organization that under-served areas of our community are also informed about the event, encouraged to participate and feel welcome and needed. We would like to increase public participation and attendance at the festival by appealing to the entire region, not just local Peoria residents.
In addition, consideration for the wayfinding system on the day of the festival, as well as possible ways to track the number of guests attending.
Single Serve is Here to Stay (c/o The Hartman Group)
Certain categories of multi-serve packaged food seem to have some staying power with 3+ person households, primarily because certain brands have enough habitual brand loyalty and appeal within homes that they empower food sharing and result in very rapid consumption rates at the weekly level. Multi-serve packaging makes eminent sense to these consumers, because there is very little time for these foods to go stale once the big bag gets opened. Potato chips are a good example in larger households.
But as America’s households increasingly involve 3 or fewer people, the scope for multi-serve packaging itself starts to look quite bleak. And because the variety of packaged foods has increased, thanks mostly to the rapid influx of specialty foods in recent years, there is so much variety at home these days in packaged “staple” goods that we often rotate frequently between products at the weekly level. This makes it even harder to predict when that large bag of chips or that liter of soymilk will really get finished before they go bad.
Single serve packaging is fulfilling an unmet need to manage waste and to acknowledge our increasingly individualistic eating patterns in a highly fragmented, fickle culture of eaters who think that every day is a good day to try something new in the world of food.
So, the brief was to create a single serving meal packaging/container for a ‘gourmet’ quality meal. It should securely hold three or four meal items, have strong shelf appeal, but also have taken into consideration its environmental footprint.
